Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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William-Adolphe Bouguereau
The Remorse of Orestes or Orestes Pursued by the Furies

ID: 86061

William-Adolphe Bouguereau The Remorse of Orestes or Orestes Pursued by the Furies
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William-Adolphe Bouguereau The Remorse of Orestes or Orestes Pursued by the Furies


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William-Adolphe Bouguereau

(November 30, 1825 - August 19, 1905) was a French academic painter. William Bouguereau was a traditionalist whose realistic genre paintings and mythological themes were modern interpretations of Classical subjects with a heavy emphasis on the female human body. William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugene, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves  Related Paintings of William-Adolphe Bouguereau :. | Depiction of a soul being carried to heaven by two angels | Girl with a pomegranate | L'Art et la Litterature | Portrait of Miss Elizabeth Gardner | The Bohemian |
Related Artists:
Giovanni di Pietro called lo Spagna
ca 1450-Spoleto 1528
Jacopo Chimenti
(30 April 1551 - 30 September 1640) was an Italian late-mannerist painter. Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazze (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi. In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period.
Max Arthur Stremel
painted Giudecca, Venedig, Kanalansicht in 1914






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